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| THE LITTLE PRINCE |
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| Antoine De Saint-Exupery |
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| Antoine de Saint-Exupery, who was a French author, journalist and pilot wrote |
| The Little Prince in 1943, one year before his death. |
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| The Little Prince appears to be a simple children’s tale, |
| some would say that it is actually a profound and deeply moving tale, |
| written in riddles and laced with philosophy and poetic metaphor. |
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| Once when I was six years old I saw a magnificent picture in a book, called True Stories from |
| Nature, about the primeval forest. It was a picture of a boa constrictor in the act of swallowing an |
| animal. Here is a copy of the drawing. |
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| In the book it said: “Boa constrictors swallow their prey whole, without chewing it. After that they |
| are not able to move, and they sleep through the six months that they need for digestion.” I |
| pondered deeply, then, over the adventures of the jungle. And after some work with a coloured |
| pencil I succeeded in making my first drawing. My Drawing Number One. It looked like this: |
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| I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them. |
| But they answered: “Frighten? Why should any one be frightened by a hat?” My drawing was not |
| a picture of a hat. It was a picture of a boa constrictor digesting an elephant. But since the grown- |
| ups were not able to understand it, I made another drawing: I drew the inside of the boa |
| constrictor, so that the grown-ups could see it clearly. They always need to have things explained. |
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| My Drawing Number Two looked like this: |
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| The grown-ups’ response, this time, was to advise me to lay aside my drawings of boa |
| constrictors, whether from the inside or the outside, and devote myself instead to geography, |
| history, arithmetic and grammar. That is why, at the age of six, I gave up what might have been a |
| magnificent career as a painter. I had been disheartened by the failure of my Drawing Number |
| One and my Drawing Number Two. Grown-ups never understand anything by themselves, and it is |
| tiresome for children to be always and forever explaining things to them. |
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| So then I chose another profession, and learned to pilot air-planes. I have flown a little over all |
| parts of the world; and it is true that geography has been very useful to me. At a glance I can |
| distinguish China from Arizona. If one gets lost in the night, such knowledge is valuable. In the |
| course of this life I have had a great many encounters with a great many people who have been |
| concerned with matters of consequence. I have lived a great deal among grown-ups. I have seen |
| them intimately, close at hand. And that hasn’t much improved my opinion of them. |
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| Whenever I met one of them who seemed to me at all clear-sighted, I tried the experiment of |
| showing him my Drawing Number One, which I have always kept. I would try to find out, so, if this |
| was a person of true understanding. But, whoever it was, he, or she, would always say: “That is a |
| hat.” Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I |
| would bring myself down to his level. I would talk to him about bridge, and golf, and politics, and |
| neckties. And the grown-up would be greatly pleased to have met such a sensible man. |
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| So I lived my life alone, without anyone that I could really talk to, until I had an accident with my |
| plane in the Desert of Sahara, six years ago. Something was broken in my engine. And as I had |
| with me neither a mechanic nor any passengers, I set myself to attempt the difficult repairs all |
| alone. It was a question of life or death for me: I had scarcely enough drinking water to last a |
| week. |
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| The first night, then, I went to sleep on the sand, a thousand miles from any human habitation. I |
| was more isolated than a shipwrecked sailor on a raft in the middle of the ocean. Thus you can |
| imagine my amazement, at sunrise, when I was awakened by an odd little voice. |
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| It said: “If you please, draw me a sheep!” |
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| “What!” |
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| “Draw me a sheep!” |
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| I jumped to my feet, completely thunderstruck. I blinked my eyes hard. I looked carefully all |
| around me. And I saw a most extraordinary small person, who stood there examining me with |
| great seriousness. Here you may see the best portrait that, later, I was able to make of him. But |
| my drawing is certainly very much less charming than its model. |
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| That, however, is not my fault. The grown-ups discouraged me in my painter’s career when I was |
| six years old, and I never learned to draw anything, except boas from the outside and boas from |
| the inside. |
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| Now I stared at this sudden apparition with my eyes fairly starting out of my head in |
| astonishment. Remember, I had crashed in the desert a thousand miles from any inhabited region. |
| And yet my little man seemed neither to be straying uncertainly among the sands, nor to be |
| fainting from fatigue or hunger or thirst or fear. Nothing about him gave any suggestion of a child |
| lost in the middle of the desert, a thousand miles from any human habitation. |
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| When at last I was able to speak, I said to him: “But, what are you doing here?” And in answer he |
| repeated, very slowly, as if he were speaking of a matter of great consequence: |
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| “If you please, draw me a sheep...” |
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| When a mystery is too overpowering, one dare not disobey. Absurd as it might seem to me, a |
| thousand miles from any human habitation and in danger of death, I took out of my pocket a sheet |
| of paper and my fountain pen. But then I remembered how my studies had been concentrated on |
| geography, history, arithmetic, and grammar, and I told the little chap (a little crossly, too) that I |
| did not know how to draw. He answered me: “That doesn’t matter. Draw me a sheep...” |
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| But I had never drawn a sheep. So I drew for him one of the two pictures I had drawn so often. It |
| was that of the boa constrictor from the outside. And I was astounded to hear the little fellow |
| greet it with, “No, no, no! I do not want an elephant inside a boa constrictor. A boa constrictor is a |
| very dangerous creature, and an elephant is very cumbersome. Where I live, everything is very |
| small. What I need is a sheep. Draw me a sheep. |
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| So then I made a drawing. He looked at it carefully, then he said: “No. This sheep is already very |
| sickly. Make me another.” So I made another drawing. My friend smiled gently and indulgently. |
| “You see yourself,” he said, “that this is not a sheep. This is a ram. It has horns. |
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| So then I did my drawing over once more. But it was rejected too, just like the others. “This one is |
| too old. I want a sheep that will live a long time. |
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| By this time my patience was exhausted, because I was in a hurry to start taking my engine apart. |
| So I tossed off this drawing. And I threw out an explanation with it. |
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| “This is only his box. The sheep you asked for is inside.” |
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| I was very surprised to see a light break over the face of my young judge: |
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| “That is exactly the way I wanted it! Do you think that this sheep will have to have a great deal of |
| grass?” |
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| “Why?” |
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| “Because where I live everything is very small...” |
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| “There will surely be enough grass for him,” I said. |
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| “It is a very small sheep that I have given you.” |
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| He bent his head over the drawing: “Not so small that, Look! He has gone to sleep...” |
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| And that is how I made the acquaintance of the little prince. |
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| It took me a long time to learn where he came from. The little prince, who asked me so many |
| questions, never seemed to hear the ones I asked him. It was from words dropped by chance that, |
| little by little, everything was revealed to me. |
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| The first time he saw my air-plane, for instance (I shall not draw my air-plane; that would be much |
| too complicated for me), he asked me: “What is that object?” |
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| “That is not an object. It flies. It is an air-plane. It is my air-plane.” And I was proud to have him |
| learn that I could fly. He cried out, then: “What! You dropped down from the sky?” |
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| “Yes,” I answered, modestly. |
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| “Oh! That is funny!” And the little prince broke into a lovely peal of laughter, which irritated me |
| very much. I like my misfortunes to be taken seriously. |
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| Then he added: “So you, too, come from the sky! Which is your planet?” At that moment I caught |
| a gleam of light in the impenetrable mystery of his presence; and I demanded, abruptly: “Do you |
| come from another planet?” But he did not reply. He tossed his head gently, without taking his |
| eyes from my plane: “It is true that on that you can’t have come from very far away...” And he |
| sank into a reverie, which lasted a long time. Then, taking my sheep out of his pocket, he buried |
| himself in the contemplation of his treasure. |
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| You can imagine how my curiosity was aroused by this half-confidence about the “other planets.” I |
| made a great effort, therefore, to find out more on this subject. |
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| “My little man, where do you come from? What is this ‘where I live,’ of which you speak? Where |
| do you want to take your sheep?” |
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| After a reflective silence he answered: “The thing that is so good about the box you have given |
| me is that at night he can use it as his house.” |
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| “That is so. And if you are good I will give you a string, too, so that you can tie him during the day, |
| and a post to tie him to.” |
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| But the little prince seemed shocked by this offer: “Tie him! What a queer idea!” |
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| “But if you don’t tie him,” I said, “he will wander off somewhere, and get lost.” |
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| My friend broke into another peal of laughter: “But where do you think he would go?” |
| “Anywhere. Straight ahead of him.” |
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| Then the little prince said, earnestly: “That doesn’t matter. Where I live, everything is so small!” |
| And, with perhaps a hint of sadness, he added: “Straight ahead of him, nobody can go very far...” |
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| I had thus learned a second fact of great importance: this was that the planet the little prince |
| came from was scarcely any larger than a house! But that did not really surprise me much. I knew |
| very well that in addition to the great planets, such as the Earth, Jupiter, Mars, Venus, to which |
| we have given names, there are also hundreds of others, some of which are so small that one has |
| a hard time seeing them through the telescope. |
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| When an astronomer discovers one of these he does not give it a name, but only a number. He |
| might call it, for example, “Asteroid 325.” |
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| I have serious reason to believe that the planet from which the little prince came is the asteroid |
| known as B-612. This asteroid has only once been seen through the telescope. That was by a |
| Turkish astronomer, in 1909. |
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| On making his discovery, the astronomer had presented it to the International Astronomical |
| Congress, in a great demonstration. But he was in Turkish costume, and so nobody would believe |
| what he said. Grown-ups are like that... |
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| Fortunately, however, for the reputation of Asteroid B-612, a Turkish dictator made a law that his |
| subjects, under pain of death, should change to European costume. So in 1920 the astronomer |
| gave his demonstration all over again, dressed with impressive style and elegance. And this time |
| everybody accepted his report. |
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| If I have told you these details about the asteroid, and made a note of its number for you, it is on |
| account of the grown-ups and their ways. When you tell them that you have made a new friend, |
| they never ask you any questions about essential matters. They never say to you, “What does his |
| voice sound like? What games does he love best? Does he collect butterflies?” Instead, they |
| demand: “How old is he? How many brothers has he? How much does he weigh? How much |
| money does his father make?” |
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| Only from these figures do they think they have learned anything about him. |
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| If you were to say to the grown-ups: “I saw a beautiful house made of rosy brick, with geraniums |
| in the windows and doves on the roof,” they would not be able to get any idea of that house at all. |
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| You would have to say to them: “I saw a house that cost $ 20,000.” Then they would exclaim: “Oh, |
| what a pretty house that is!” Just so, you might say to them: “The proof that the little prince |
| existed is that he was charming, that he laughed, and that he was looking for a sheep. If anybody |
| wants a sheep, that is a proof that he exists.” And what good would it do to tell them that? They |
| would shrug their shoulders, and treat you like a child. But if you said to them: “The planet he |
| came from is Asteroid B-612,” then they would be convinced, and leave you in peace from their |
| questions. They are like that. One must not hold it against them. Children should always show |
| great forbearance toward grown-up people. But certainly, for us who understand life, figures are a |
| matter of indifference. |
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| I should have liked to begin this story in the fashion of the fairy-tales. I should have like to say: |
| “Once upon a time there was a little prince who lived on a planet that was scarcely any bigger |
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| than himself, and who had need of a sheep...” |
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| To those who understand life, that would have given a much greater air of truth to my story. Fori |
| do not want any one to read my book carelessly. I have suffered too much grief in setting down |
| these memories. Six years have already passed since my friend went away from me, with his |
| sheep. If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend |
| is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who |
| are no longer interested in anything but figures... It is for that purpose, again, that I have bought a |
| box of paints and some pencils. |
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| It is hard to take up drawing again at my age, when I have never made any pictures except those |
| of the boa constrictor from the outside and the boa constrictor from the inside, since I was six. I |
| shall certainly try to make my portraits as true to life as possible. But I am not at all sure of |
| success. One drawing goes along all right, and another has no resemblance to its subject. I make |
| some errors, too, in the little prince’s height: in one place he is too tall and in another too short. |
| And I feel some doubts about the colour of his costume. So I fumble along as best I can, now good, |
| now bad, and I hope generally fair-to- middling. In certain more important details I shall make |
| mistakes, also. But that is something that will not be my fault. My friend never explained anything |
| to me. He thought, perhaps, that I was like himself. But I, alas, do not know how to see sheep |
| through the walls of boxes. Perhaps I am a little like the grown-ups. I have had to grow old. |
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| As each day passed I would learn, in our talk, something about the little prince’s planet, his |
| departure from it, his journey. The information would come very slowly, as it might chance to fall |
| from his thoughts. It was in this way that I heard, on the third day, about the catastrophe of the |
| baobabs. |
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| This time, once more, I had the sheep to thank for it. For the little prince asked me abruptly, as if |
| seized by a grave doubt, |
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| “It is true, isn’t it, that sheep eat little bushes?” |
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| “Yes, that is true.” |
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| “Ah! I am glad!” |
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| I did not understand why it was so important that sheep should eat little bushes. But the little |
| prince added: “Then it follows that they also eat baobabs?” I pointed out to the little prince that |
| baobabs were not little bushes, but, on the contrary, trees as big as castles; and that even if he |
| took a whole herd of elephants away with him, the herd would not eat up one single baobab. |
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| The idea of the herd of elephants made the little prince laugh. “We would have to put them one on |
| top of the other,” he said. But he made a wise comment: |
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| “Before they grow so big, the baobabs start out by being little.” |
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| “That is strictly correct,” I said. “But why do you want the sheep to eat the little baobabs?” |
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| He answered me at once, “Oh, come, come!”, as if he were speaking of something that was self- |
| evident. And I was obliged to make a great mental effort to solve this problem, without any |
| assistance. |
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| Indeed, as I learned, there were on the planet where the little prince lived, as on all planets, good |
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| plants and bad plants. In consequence, there were good seeds from good plants, and bad seeds |
| from bad plants. But seeds are invisible. They sleep deep in the heart of the earth’s darkness, |
| until some one among them is seized with the desire to awaken. Then this little seed will stretch |
| itself and begin, timidly at first, to push a charming little sprig inoffensively upward toward the |
| sun. If it is only a sprout of radish or the sprig of a rose-bush, one would let it grow wherever it |
| might wish. But when it is a bad plant, one must destroy it as soon as possible, the very first |
| instant that one recognises it. |
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| Now there were some terrible seeds on the planet that was the home of the little prince; and these |
| were the seeds of the baobab. The soil of that planet was infested with them. A baobab is |
| something you will never, never be able to get rid of if you attend to it too late. It spreads over the |
| entire planet. It bores clear through it with its roots. And if the planet is too small, and the |
| baobabs are too many, they split it in pieces... |
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| “It is a question of discipline,” the little prince said to me later on. |
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| “When you’ve finished your own toilet in the morning, then it is time to attend to the toilet of your |
| planet, just so, with the greatest care. You must see to it that you pull up regularly all the baobabs, |
| at the very first moment when they can be distinguished from the rosebushes, which they |
| resemble so closely in their earliest youth. It is very tedious work,” the little prince added, “but |
| very easy.” And one day he said to me: “You ought to make a beautiful drawing, so that the |
| children where you live can see exactly how all this is. That would be very useful to them if they |
| were to travel some day. |
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| Sometimes,” he added, “there is no harm in putting off a piece of work until another day. But |
| when it is a matter of baobabs, that always means a catastrophe. |
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| I knew a planet that was inhabited by a lazy man. He neglected three little bushes... So, as the |
| little prince described it to me, I have made a drawing of that planet. I do not much like to take |
| the tone of a moralist. But the danger of the baobabs is so little understood, and such considerable |
| risks would be run by anyone who might get lost on an asteroid, that for once I am breaking |
| through my reserve. “Children,” I say plainly, “watch out for the baobabs!” My friends, like |
| myself, have been skirting this danger for a long time, without ever knowing it; and so it is for |
| them that I have worked so hard over this drawing. |
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| The lesson which I pass on by this means is worth all the trouble it has cost me. Perhaps you will |
| ask me, “Why are there no other drawing in this book as magnificent and impressive as this |
| drawing of the baobabs?” The reply is simple. I have tried. But with the others I have not been |
| successful. When I made the drawing of the baobabs I was carried beyond myself by the inspiring |
| force of urgent necessity. |
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| Oh, little prince! Bit by bit I came to understand the secrets of your sad little life... For a long time |
| you had found your only entertainment in the quiet pleasure of looking at the sunset. |
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| I learned that new detail on the morning of the fourth day, when you said to me: |
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| “I am very fond of sunsets. Come, let us go look at a sunset now.” |
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| “But we must wait,” I said. |
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| “Wait? For what?” |
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| “For the sunset. We must wait until it is time.” |
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| At first you seemed to be very much surprised. And then you laughed to yourself. You said to me: |
| “I am always thinking that I am at home!” |
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| Just so. Everybody knows that when it is noon in the United States the sun is setting over France. |
| If you could fly to France in one minute, you could go straight into the sunset, right from noon. |
| Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you |
| need do is move your chair a few steps. You can see the day end and the twilight falling whenever |
| you like... |
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| “One day,” you said to me, “I saw the sunset forty-four times!” |
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| And a little later you added: “You know, one loves the sunset, when one is so sad...” “Were you so |
| sad, then?” I asked, “on the day of the forty-four sunsets?” |
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| But the little prince made no reply. |
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| On the fifth day, again, as always, it was thanks to the sheep, the secret of the little prince’s life |
| was revealed to me. |
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| Abruptly, without anything to lead up to it, and as if the question had been born of long and silent |
| meditation on his problem, he demanded: “A sheep; if it eats little bushes, does it eat flowers, |
| too?” |
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| “A sheep,” I answered, “eats anything it finds in its reach.” |
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| “Even flowers that have thorns?” |
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| “Yes, even flowers that have thorns.” |
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| “Then the thorns, what use are they?” I did not know. |
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| At that moment I was very busy trying to unscrew a bolt that had got stuck in my engine. I was |
| very much worried, for it was becoming clear to me that the breakdown of my plane was |
| extremely serious. And I had so little drinking water left that I had to fear for the worst. |
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| “The thorns, what use are they?” |
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| The little prince never let go of a question, once he had asked it. As for me, I was upset over that |
| bolt. And I answered with the first thing that came into my head: “The thorns are of no use at all. |
| Flowers have thorns just for spite!” |
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| “Oh!” There was a moment of complete silence. |
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| Then the little prince flashed back at me, with a kind of resentfulness: “I don’t believe you! |
| Flowers are weak creatures. They are naive. They reassure themselves as best they can. They |
| believe that their thorns are terrible weapons...” |
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| I did not answer. At that instant I was saying to myself: “If this bolt still won’t turn, I am going to |
| knock it out with the hammer.” |
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| Again the little prince disturbed my thoughts. “And you actually believe that the flowers...” |
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| “Oh, no!” I cried. “No, no no! I don’t believe anything. I answered you with the first thing that |
| came into my head. Don’t you see, I am very busy with matters of consequence!” |
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| He stared at me, thunderstruck. “Matters of consequence!” |
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| He looked at me there, with my hammer in my hand, my fingers black with engine grease, bending |
| down over an object which seemed to him extremely ugly... |
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| “You talk just like the grown-ups!” That made me a little ashamed. But he went on, relentlessly: |
| “You mix everything up together... You confuse everything...” |
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| He was really very angry. He tossed his golden curls in the breeze. |
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| “I know a planet where there is a certain red-faced gentleman. He has never smelled a flower. He |
| has never looked at a star. He has never loved any one. He has never done anything in his life but |
| add up figures. And all day he says over and over, just like you: ‘I am busy with matters of |
| consequence!’ And that makes him swell up with pride. |
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| “But he is not a man, he is a mushroom!” |
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| “A what?” |
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| “A mushroom!” The little prince was now white with rage. “The flowers have been growing thorns |
| for millions of years. For millions of years the sheep have been eating them just the same. And is |
| it not a matter of consequence to try to understand why the flowers go to so much trouble to grow |
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| thorns, which are never of any use to them? Is the warfare between the sheep and the flowers not |
| important? Is this not of more consequence than a fat red-faced gentleman’s sums? And if I know, |
| I, myself, one flower which is unique in the world, which grows nowhere but on my planet, but |
| which one little sheep can destroy in a single bite some morning, without even noticing what he is |
| doing, Oh! You think that is not important! His face turned from white to red as he continued: “If |
| some one loves a flower, of which just one single blossom grows in all the millions and millions of |
| stars, it is enough to make him happy just to look at the stars. |
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| He can say to himself, ‘Somewhere, my flower is there...’ But if the sheep eats the flower, in one |
| moment all his stars will be darkened... And you think that is not important!” |
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| He could not say anything more. His words were choked by sobbing. The night had fallen. I had |
| let my tools drop from my hands. Of what moment now was my hammer, my bolt, or thirst, or |
| death? On one star, one planet, my planet, the Earth, there was a little prince to be comforted. I |
| took him in my arms, and rocked him. I said to him: “The flower that you love is not in danger. I |
| will draw you a muzzle for your sheep. I will draw you a railing to put around your flower. I will...” |
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| I did not know what to say to him. I felt awkward and blundering. I did not know how I could reach |
| him, where I could overtake him and go on hand in hand with him once more. |
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| It is such a secret place, the land of tears. |
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| I soon learned to know this flower better. On the little prince’s planet the flowers had always been |
| very simple. They had only one ring of petals; they took up no room at all; they were a trouble to |
| nobody. One morning they would appear in the grass, and by night they would have faded |
| peacefully away. But one day, from a seed blown from no one knew where, a new flower had come |
| up; and the little prince had watched very closely over this small sprout which was not like any |
| other small sprouts on his planet. |
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| It might, you see, have been a new kind of baobab. The shrub soon stopped growing, and began to |
| get ready to produce a flower. The little prince, who was present at the first appearance of a huge |
| bud, felt at once that some sort of miraculous apparition must emerge from it. But the flower was |
| not satisfied to complete the preparations for her beauty in the shelter of her green chamber. She |
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| chose her colours with the greatest care. She adjusted her petals one by one. She did not wish to |
| go out into the world all rumpled, like the field poppies. It was only in the full radiance of her |
| beauty that she wished to appear. Oh, yes! She was a coquettish creature! And her mysterious |
| adornment lasted for days and days. Then one morning, exactly at sunrise, she suddenly showed |
| herself. And, after working with all this painstaking precision, she yawned and said: “Ah! I am |
| scarcely awake. I beg that you will excuse me. My petals are still all disarranged...” But the little |
| prince could not restrain his admiration: |
| |
| “Oh! How beautiful you are!” |
| |
| “Am I not?” the flower responded, sweetly. “And I was born at the same moment as the sun...” |
| |
| The little prince could guess easily enough that she was not any too modest, but how moving, and |
| exciting she was! |
| |
| “I think it is time for breakfast,” she added an instant later. “If you would have the kindness to |
| think of my needs” And the little prince, completely abashed, went to look for a sprinkling can of |
| fresh water. |
| |
| So, he tended the flower. So, too, she began very quickly to torment him with her vanity, which |
| was, if the truth be known, a little difficult to deal with. |
| |
| One day, for instance, when she was speaking of her four thorns, she said to the little prince: “Let |
| the tigers come with their claws!” |
| |
| “There are no tigers on my planet,” the little prince objected. “And, anyway, tigers do not eat |
| weeds.” |
| |
| “I am not a weed,” the flower replied, sweetly. “Please excuse me...” “I am not at all afraid of |
| tigers,” she went on, “but I have a horror of drafts. I suppose you wouldn’t screen for me?" |
| |
| “A horror of drafts, that is bad luck, for a plant,” remarked the little prince, and added to himself, |
| “This flower is a very complex creature...” |
| |
| “At night I want you to put me under a glass globe. It is very cold where you live. In the place I |
| came from...” But she interrupted herself at that point. She had come in the form of a seed. She |
| could not have known anything of any other worlds. |
| |
| Embarrassed over having let herself be caught on the verge of such an untruth, she coughed two |
| or three times, in order to put the little prince in the wrong. |
| |
| “The screen?” |
| |
| “I was just going to look for it when you spoke to me...” |
| |
| Then she forced her cough a little more so that he should suffer from remorse just the same. So |
| the little prince, in spite of all the good will that was inseparable from his love, had soon come to |
| doubt her. He had taken seriously words which were without importance, and it made him very |
| unhappy. |
| |
| “I ought not to have listened to her,” he confided to me one day. |
| |
| “One never ought to listen to the flowers. One should simply look at them and breathe their |
| |
| |
| |
| |
| fragrance. Mine perfumed all my planet. But I did not know how to take pleasure in all her grace. |
| This tale of claws, which disturbed me so much, should only have filled my heart with tenderness |
| and pity.” |
| |
| And he continued his confidences: “The fact is that I did not know how to understand anything! I |
| ought to have judged by deeds and not by words. She cast her fragrance and her radiance over |
| me. I ought never to have run away from her... I ought to have guessed all the affection that lay |
| behind her poor little stratagems. Flowers are so inconsistent! But I was too young to know how to |
| love her...” |
| |
| I believe that for his escape he took advantage of the migration of a flock of wild birds. On the |
| morning of his departure he put his planet in perfect order. He carefully cleaned out his active |
| volcanoes. He possessed two active volcanoes; and they were very convenient for heating his |
| breakfast in the morning. He also had one volcano that was extinct. But, as he said, “One never |
| knows!” So he cleaned out the extinct volcano, too. If they are well cleaned out, volcanoes burn |
| slowly and steadily, without any eruptions. Volcanic eruptions are like fires in a chimney. |
| |
| On our earth we are obviously much too small to clean out our volcanoes. That is why they bring |
| no end of trouble upon us. The little prince also pulled up, with a certain sense of dejection, the |
| last little shoots of the baobabs. He believed that he would never want to return. But on this last |
| morning all these familiar tasks seemed very precious to him. And when he watered the flower for |
| the last time, and prepared to place her under the shelter of her glass globe, he realised that he |
| was very close to tears. “Goodbye,” he said to the flower. But she made no answer. “Goodbye,” |
| he said again. The flower coughed. But it was not because she had a cold. |
| |
| “I have been silly,” she said to him, at last. “I ask your forgiveness. Try to be happy...” He was |
| surprised by this absence of reproaches. He stood there all bewildered, the glass globe held |
| arrested in mid-air. He did not understand this quiet sweetness. |
| |
| “Of course I love you,” the flower said to him. “It is my fault that you have not known it all the |
| while. That is of no importance. But you, you have been just as foolish as I. Try to be happy... let |
| the glass globe be. I don’t want it any more.” |
| |
| “But the wind...” “My cold is not so bad as all that... the cool night air will do me good. I am a |
| flower.” |
| |
| “But the animals...” “Well, I must endure the presence of two or three caterpillars if I wish to |
| become acquainted with the butterflies. It seems that they are very beautiful. And if not the |
| butterflies and the caterpillars who will call upon me? You will be far away... as for the large |
| animals, I am not at all afraid of any of them. I have my claws.” |
| |
| And, naively, she showed her four thorns. |
| |
| Then she added: “Don’t linger like this. You have decided to go away. Now go!” |
| |
| For she did not want him to see her crying. She was such a proud flower... |
| |
| |
| |
| He found himself in the neighbourhood of the asteroids 325, 326, 327, 328, 329, and 330. He |
| began, therefore, by visiting them, in order to add to his knowledge. The first of them was |
| inhabited by a king. Clad in royal purple and ermine, he was seated upon a throne, which was at |
| |
| |
| |
| |
| the same time both simple and majestic. |
| |
| |
| |
| “Ah! Here is a subject,” exclaimed the king, when he saw the little prince coming. And the little |
| prince asked himself: “How could he recognise me when he had never seen me before?” |
| |
| He did not know how the world is simplified for kings. To them, all men are subjects. “Approach, |
| so that I may see you better,” said the king, who felt consumingly proud of being at last a king |
| over somebody. |
| |
| The little prince looked everywhere to find a place to sit down; but the entire planet was crammed |
| and obstructed by the king’s magnificent ermine robe. So he remained standing upright, and, since |
| he was tired, he yawned. |
| |
| “It is contrary to etiquette to yawn in the presence of a king,” the monarch said to him. “I forbid |
| you to do so.” |
| |
| “I can’t help it. I can’t stop myself,” replied the little prince, thoroughly embarrassed. |
| |
| “I have come on a long journey, and I have had no sleep...” |
| |
| “Ah, then,” the king said. “I order you to yawn. It is years since I have seen anyone yawning. |
| Yawns, to me, are objects of curiosity. Come, now! Yawn again! It is an order.” |
| |
| “That frightens me... I cannot, any more...” murmured the little prince, now completely abashed. |
| |
| “Hum! Hum!” replied the king. “Then I... I order you sometimes to yawn and sometimes to” He |
| sputtered a little, and seemed vexed. For what the king fundamentally insisted upon was that his |
| authority should be respected. He tolerated no disobedience. He was an absolute monarch. But, |
| because he was a very good man, he made his orders reasonable. |
| |
| “If I ordered a general,” he would say, by way of example, “if I ordered a general to change |
| himself into a sea bird, and if the general did not obey me, that would not be the fault of the |
| general. It would be my fault.” |
| |
| “May I sit down?” came now a timid inquiry from the little prince. “I order you to do so,” the king |
| answered him, and majestically gathered in a fold of his ermine mantle. But the little prince was |
| wondering... The planet was tiny. Over what could this king really rule? |
| |
| “Sire,” he said to him, “I beg that you will excuse my asking you a question” |
| |
| “I order you to ask me a question,” the king hastened to assure him. “Sire, over what do you |
| rule?” “Over everything,” said the king, with magnificent simplicity. |
| |
| “Over everything?” The king made a gesture, which took in his planet, the other planets, and all |
| the stars. “Over all that?” asked the little prince. “Over all that,” the king answered. For his rule |
| was not only absolute: it was also universal. “And the stars obey you?” “Certainly they do,” the |
| king said. “They obey instantly. I do not permit insubordination.” |
| |
| Such power was a thing for the little prince to marvel at. If he had been master of such complete |
| authority, he would have been able to watch the sunset, not forty-four times in one day, but |
| seventy-two, or even a hundred, or even two hundred times, with out ever having to move his |
| chair. And because he felt a bit sad as he remembered his little planet, which he had forsaken, he |
| plucked up his courage to ask the king a favour: |
| |
| |
| |
| |
| |
| “I should like to see a sunset... do me that kindness... Order the sun to set...” |
| |
| “If I ordered a general to fly from one flower to another like a butterfly, or to write a tragic |
| drama, or to change himself into a sea bird, and if the general did not carry out the order that he |
| had received, which one of us would be in the wrong?” the king demanded. “The general, or |
| myself?” |
| |
| “You,” said the little prince firmly. |
| |
| “Exactly. One much require from each one the duty which each one can perform,” the king went |
| on. “Accepted authority rests first of all on reason. If you ordered your people to go and throw |
| themselves into the sea, they would rise up in revolution. I have the right to require obedience |
| because my orders are reasonable.” |
| |
| “Then my sunset?” the little prince reminded him: for he never forgot a question once he had |
| asked it. |
| |
| “You shall have your sunset. I shall command it. But, according to my science of government, I |
| shall wait until conditions are favourable.” |
| |
| “When will that be?” inquired the little prince. “Hum! Hum!” replied the king; and before saying |
| anything else he consulted a bulky almanac. “Hum! Hum! That will be about... about... that will be |
| this evening about twenty minutes to eight. And you will see how well I am obeyed.” |
| |
| The little prince yawned. He was regretting his lost sunset. And then, too, he was already |
| beginning to be a little bored. “I have nothing more to do here,” he said to the king. “So I shall set |
| out on my way again.” “Do not go,” said the king, who was very proud of having a subject. “Do |
| not go. I will make you a Minister!” “Minister of what?” “Minster of...of Justice!” “But there is |
| nobody here to judge!” “We do not know that,” the king said to him. “I have not yet made a |
| complete tour of my kingdom. I am very old. There is no room here for a carriage. And it tires me |
| to walk.” “Oh, but I have looked already!” said the little prince, turning around to give one more |
| glance to the other side of the planet. |
| |
| On that side, as on this, there was nobody at all... “Then you shall judge yourself,” the king |
| answered, “that is the most difficult thing of all. It is much more difficult to j udge oneself than to |
| j udge others. If you succeed in j udging yourself rightly, then you are indeed a man of true |
| wisdom.” |
| |
| |
| |
| “Yes,” said the little prince, “but I can judge myself anywhere. I do not need to live on this planet. |
| “Hum! Hum!” said the king. “I have good reason to believe that somewhere on my planet there is |
| an old rat. I hear him at night. You can judge this old rat. From time to time you will condemn him |
| to death. Thus his life will depend on your j ustice. But you will pardon him on each occasion; for |
| he must be treated thriftily. He is the only one we have.” |
| |
| “I,” replied the little prince, “do not like to condemn anyone to death. And now I think I will go on |
| my way.” “No,” said the king. But the little prince, having now completed his preparations for |
| departure, had no wish to grieve the old monarch. “If Your Majesty wishes to be promptly |
| obeyed,” he said, “he should be able to give me a reasonable order. He should be able, for |
| example, to order me to be gone by the end of one minute. It seems to me that conditions are |
| favourable...” As the king made no answer, the little prince hesitated a moment. |
| |
| Then, with a sigh, he took his leave. “I made you my Ambassador,” the king called out, hastily. |
| |
| He had a magnificent air of authority. |
| |
| “The grown-ups are very strange,” the little prince said to himself, as he continued on his journey. |
| The second planet was inhabited by a conceited man. |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| “Ah! Ah! I am about to receive a visit from an admirer!” he exclaimed from afar, when he first |
| saw the little prince coming. For, to conceited men, all other men are admirers. |
| |
| “Good morning,” said the little prince. “That is a queer hat you are wearing.” |
| |
| “It is a hat for salutes,” the conceited man replied. “It is to raise in salute when people acclaim |
| me. Unfortunately, nobody at all ever passes this way.” |
| |
| “Yes?” said the little prince, who did not understand what the conceited man was talking about. |
| |
| “Clap your hands, one against the other,” the conceited man now directed him. The little prince |
| clapped his hands. The conceited man raised his hat in a modest salute. “This is more entertaining |
| than the visit to the king,” the little prince said to himself. And he began again to clap his hands, |
| one against the other. The conceited man against raised his hat in salute. After five minutes of |
| |
| |
| |
| this exercise the little prince grew tired of the game’s monotony. “And what should one do to |
| make the hat come down?” he asked. But the conceited man did not hear him. Conceited people |
| never hear anything but praise. |
| |
| “Do you really admire me very much?” he demanded of the little prince. “What does that mean, |
| ‘admire’?” |
| |
| “To admire means that you regard me as the handsomest, the best-dressed, the richest, and the |
| most intelligent man on this planet.” “But you are the only man on your planet!” “Do me this |
| kindness. Admire me just the same.” |
| |
| “I admire you,” said the little prince, shrugging his shoulders slightly, “but what is there in that to |
| interest you so much?” |
| |
| And the little prince went away. “The grown-ups are certainly very odd,” he said to himself, as he |
| continued on his journey. |
| |
| The next planet was inhabited by a tippler. |
| |
| |
| |
| |
| This was a very short visit, but it plunged the little prince into deep dejection. “What are you |
| doing there?” he said to the tippler, whom he found settled down in silence before a collection of |
| empty bottles and also a collection of full bottles. |
| |
| “I am drinking,” replied the tippler, with a lugubrious air. |
| |
| “Why are you drinking?” demanded the little prince. |
| |
| “So that I may forget,” replied the tippler. “Forget what?” inquired the little prince, who already |
| was sorry for him. |
| |
| “Forget that I am ashamed,” the tippler confessed, hanging his head. |
| |
| “Ashamed of what?” insisted the little prince, who wanted to help him. |
| |
| “Ashamed of drinking!” The tippler brought his speech to an end, and shut himself up in an |
| impregnable silence. |
| |
| And the little prince went away, puzzled. “The grown-ups are certainly very, very odd,” he said to |
| himself, as he continued on his journey. |
| |
| The fourth planet belonged to a businessman. |
| |
| This man was so much occupied that he did not even raise his head at the little prince’s arrival. |
| |
| |
| |
| “Good morning,” the little prince said to him. “Your cigarette has gone out.” |
| |
| |
| |
| “Three and two make five. Five and seven make twelve. Twelve and three make fifteen. Good |
| morning. Fifteen and seven make twenty-two. Twenty-two and six make twenty-eight. I haven’t |
| time to light it again. Twenty-six and five make thirty-one. Phew ! Then that makes five-hundred- |
| and-one-million, six-hundred-twenty-two-thousand, seven-hundred-thirty-one.” |
| |
| “Five hundred million what?” asked the little prince. “Eh? Are you still there? Five-hundred-and- |
| one million, I can’t stop... I have so much to do! I am concerned with matters of consequence. I |
| don’t amuse myself with balderdash. Two and five make seven...” |
| |
| “Five-hundred-and-one million what?” repeated the little prince, who never in his life had let go of |
| a question once he had asked it. |
| |
| The businessman raised his head. “During the fifty-four years that I have inhabited this planet, I |
| have been disturbed only three times. The first time was twenty-two years ago, when some giddy |
| goose fell from goodness knows where. He made the most frightful noise that resounded all over |
| the place, and I made four mistakes in my addition. The second time, eleven years ago, I was |
| disturbed by an attack of rheumatism. I don’t get enough exercise. I have no time for loafing. The |
| third time, well, this is it! I was saying, then, five -hundred-and-one millions” |
| |
| “Millions of what?” The businessman suddenly realised that there was no hope of being left in |
| peace until he answered this question. |
| |
| “Millions of those little objects,” he said, “which one sometimes sees in the sky.” “Flies?” “Oh, |
| no. Little glittering objects.” “Bees?” “Oh, no. Little golden objects that set lazy men to idle |
| dreaming. As for me, I am concerned with matters of consequence. There is no time for idle |
| dreaming in my life.” “Ah! You mean the stars?” “Yes, that’s it. The stars.” “And what do you do |
| with five-hundred millions of stars?” “Five-hundred-and-one million, six-hundred-twenty-two |
| thousand, seven-hundred-thirty-one. I am concerned with matters of consequence: I am |
| accurate.” |
| |
| “And what do you do with these stars?” “What do I do with them?” “Yes.” “Nothing. I own them.” |
| “You own the stars?” “Yes.” “But I have already seen a king who...” “Kings do not own, they |
| reign over. It is a very different matter.” |
| |
| “And what good does it do you to own the stars?” “It does me the good of making me rich.” |
| |
| “And what good does it do you to be rich?” |
| |
| “It makes it possible for me to buy more stars, if any are ever discovered.” |
| |
| “This man,” the little prince said to himself, “reasons a little like my poor tippler...” Nevertheless, |
| he still had some more questions. “How is it possible for one to own the stars?” “To whom do they |
| belong?” the businessman retorted, peevishly. “I don’t know. To nobody.” “Then they belong to |
| me, because I was the first person to think of it.” “Is that all that is necessary?” “Certainly. |
| |
| When you find a diamond that belongs to nobody, it is yours. When you discover an island that |
| belongs to nobody, it is yours. When you get an idea before any one else, you take out a patent on |
| it: it is yours. So with me: I own the stars, because nobody else before me ever thought of owning |
| them.” |
| |
| “Yes, that is true,” said the little prince. “And what do you do with them?” |
| |
| |
| |
| |
| “I administer them,” replied the businessman. “I count them and recount them. It is difficult. But I |
| am a man who is naturally interested in matters of consequence.” |
| |
| The little prince was still not satisfied. “If I owned a silk scarf,” he said, “I could put it around my |
| neck and take it away with me. If I owned a flower, I could pluck that flower and take it away with |
| me. But you cannot pluck the stars from heaven...” |
| |
| “No. But I can put them in the bank.” “Whatever does that mean?” “That means that I write the |
| number of my stars on a little paper. And then I put this paper in a drawer and lock it with a key.” |
| |
| “And that is all?” |
| |
| “That is enough,” said the businessman. |
| |
| “It is entertaining,” thought the little prince. “It is rather poetic. But it is of no great |
| consequence.” On matters of consequence, the little prince had ideas, which were very different |
| from those of the grown-ups. |
| |
| “I myself own a flower,” he continued his conversation with the businessman, “which I water |
| every day. I own three volcanoes, which I clean out every week (for I also clean out the one that is |
| extinct; one never knows). It is of some use to my volcanoes, and it is of some use to my flower, |
| that I own them. But you are of no use to the stars...” |
| |
| The businessman opened his mouth, but he found nothing to say in answer. And the little prince |
| went away. “The grown-ups are certainly altogether extraordinary,” he said simply, talking to |
| himself as he continued on his journey. |
| |
| The fifth planet was very strange. It was the smallest of all. There was just enough room on it for |
| a street lamp and a lamplighter. |
| |
| |
| |
| |
| The little prince was not able to reach any explanation of the use of a street lamp and a |
| lamplighter, somewhere in the heavens, on a planet, which had no people, and not one house. |
| |
| But he said to himself, nevertheless: “It may well be that this man is absurd. But he is not so |
| absurd as the king, the conceited man, the businessman, and the tippler. For at least his work has |
| |
| |
| |
| some meaning. When he lights his street lamp, it is as if he brought one more star to life, or one |
| flower. When he puts out his lamp, he sends the flower, or the star, to sleep. That is a beautiful |
| occupation. And since it is beautiful, it is truly useful.” |
| |
| When he arrived on the planet he respectfully saluted the lamplighter. |
| |
| “Good morning. Why have you just put out your lamp?” |
| |
| “Those are the orders,” replied the lamplighter. “Good morning.” |
| |
| “What are the orders?” |
| |
| “The orders are that I put out my lamp. Good evening.” And he lighted his lamp again. “But why |
| have you just lighted it again?” |
| |
| “Those are the orders,” replied the lamplighter. |
| |
| “I do not understand,” said the little prince. |
| |
| “There is nothing to understand,” said the lamplighter. “Orders are orders. Good morning.” And |
| he put out his lamp. |
| |
| Then he mopped his forehead with a handkerchief decorated with red squares. |
| |
| “I follow a terrible profession. In the old days it was reasonable. I put the lamp out in the morning, |
| and in the evening I lighted it again. I had the rest of the day for relaxation and the rest of the |
| night for sleep.” |
| |
| “And the orders have been changed since that time?” |
| |
| “The orders have not been changed,” said the lamplighter. “That is the tragedy! From year to |
| year the planet has turned more rapidly and the orders have not been changed!” |
| |
| “Then what?” asked the little prince. |
| |
| “Then the planet now makes a complete turn every minute, and I no longer have a single second |
| for repose. Once every minute I have to light my lamp and put it out!” |
| |
| “That is very funny! A day lasts only one minute, here where you live!” |
| |
| “It is not funny at all!” said the lamplighter. “While we have been talking together a month has |
| gone by.” |
| |
| “A month?” |
| |
| |
| |
| “Yes, a month. Thirty minutes. Thirty days. Good evening.” And he lighted his lamp again. As the |
| little prince watched him, he felt that he loved this lamplighter who was so faithful to his orders. |
| He remembered the sunsets, which he himself had gone to seek, in other days, merely by pulling |
| up his chair; and he wanted to help his friend. |
| |
| “You know,” he said, “I can tell you a way you can rest whenever you want to...” |
| |
| “I always want to rest,” said the lamplighter. For it is possible for a man to be faithful and lazy at |
| the same time. |
| |
| |
| |
| |
| The little prince went on with his explanation: “Your planet is so small that three strides will take |
| you all the way around it. To be always in the sunshine, you need only walk along rather slowly. |
| When you want to rest, you will walk and the day will last as long as you like.” |
| |
| “That doesn’t do me much good,” said the lamplighter. “The one thing I love in life is to sleep.” |
| |
| “Then you’re unlucky,” said the little prince. |
| |
| “I am unlucky,” said the lamplighter. “Good morning.” And he put out his lamp. |
| |
| “That man,” said the little prince to himself, as he continued farther on his journey, “that man |
| would be scorned by all the others: by the king, by the conceited man, by the tippler, by the |
| businessman. Nevertheless he is the only one of them all who does not seem to me ridiculous. |
| Perhaps that is because he is thinking of something else besides himself.” |
| |
| He breathed a sigh of regret, and said to himself, again: “That man is the only one of them all |
| whom I could have made my friend. But his planet is indeed too small. There is no room on it for |
| two people...” What the little prince did not dare confess was that he was sorry most of all to leave |
| this planet, because it was blest every day with 1440 sunsets! |
| |
| The sixth planet was ten times larger than the last one. It was inhabited by an old gentleman who |
| wrote voluminous books. |
| |
| |
| |
| |
| “Oh, look! Here is an explorer!” he exclaimed to himself when he saw the little prince coming. |
| |
| The little prince sat down on the table and panted a little. He had already travelled so much and |
| so far! |
| |
| “Where do you come from?” the old gentleman said to him. |
| |
| “What is that big book?” said the little prince. “What are you doing?” |
| |
| “I am a geographer,” the old gentleman said to him. |
| |
| “What is a geographer?” asked the little prince. “A geographer is a scholar who knows the |
| location of all the seas, rivers, towns, mountains, and deserts.” |
| |
| “That is very interesting,” said the little prince. “Here at last is a man who has a real profession!” |
| And he cast a look around him at the planet of the geographer. |
| |
| |
| |
| It was the most magnificent and stately planet that he had ever seen. |
| |
| “Your planet is very beautiful,” he said. “Has it any oceans?” |
| |
| “I couldn’t tell you,” said the geographer. |
| |
| “Ah!” The little prince was disappointed. “Has it any mountains?” |
| |
| “I couldn’t tell you,” said the geographer. |
| |
| “And towns, and rivers, and deserts?” |
| |
| “I couldn’t tell you that, either.” |
| |
| “But you are a geographer!” |
| |
| “Exactly,” the geographer said. “But I am not an explorer. I haven’t a single explorer on my |
| planet. It is not the geographer who goes out to count the towns, the rivers, the mountains, the |
| seas, the oceans, and the deserts. The geographer is much too important to go loafing about. He |
| does not leave his desk. But he receives the explorers in his study. He asks them questions, and |
| he notes down what they recall of their travels. And if the recollections of any one among them |
| seem interesting to him, the geographer orders an inquiry into that explorer’s moral character.” |
| |
| “Why is that?” |
| |
| “Because an explorer who told lies would bring disaster on the books of the geographer. So would |
| an explorer who drank too much.” |
| |
| “Why is that?” asked the little prince. |
| |
| “Because intoxicated men see double. Then the geographer would note down two mountains in a |
| place where there was only one.” |
| |
| “I know some one,” said the little prince, “who would make a bad explorer.” |
| |
| “That is possible. Then, when the moral character of the explorer is shown to be good, an inquiry |
| is ordered into his discovery.” |
| |
| “One goes to see it?” |
| |
| “No. That would be too complicated. But one requires the explorer to furnish proofs. For example, |
| if the discovery in question is that of a large mountain, one requires that large stones be brought |
| back from it.” The geographer was suddenly stirred to excitement. “But you come from far away! |
| You are an explorer! You shall describe your planet to me!” And, having opened his big register, |
| the geographer sharpened his pencil. The recitals of explorers are put down first in pencil. One |
| waits until the explorer has furnished proofs, before putting them down in ink. “Well?” said the |
| geographer expectantly. |
| |
| “Oh, where I live,” said the little prince, “it is not very interesting. It is all so small. I have three |
| volcanoes. Two volcanoes are active and the other is extinct. But one never knows.” |
| |
| “One never knows,” said the geographer. |
| |
| |
| |
| “I have also a flower.” |
| |
| |
| |
| |
| “We do not record flowers,” said the geographer. |
| |
| “Why is that? The flower is the most beautiful thing on my planet!” |
| |
| “We do not record them,” said the geographer, “because they are ephemeral.” |
| |
| “What does that mean ‘ephemeral’?” |
| |
| “Geographies,” said the geographer, “are the books which, of all books, are most concerned with |
| matters of consequence. They never become old-fashioned. It is very rarely that a mountain |
| changes its position. It is very rarely that an ocean empties itself of its waters. We write of eternal |
| things.” |
| |
| “But extinct volcanoes may come to life again,” the little prince interrupted. |
| |
| “What does that mean ‘ephemeral’?” |
| |
| “Whether volcanoes are extinct or alive, it comes to the same thing for us,” said the geographer. |
| “The thing that matters to us is the mountain. It does not change.” |
| |
| “But what does that mean ‘ephemeral’?” repeated the little prince, who never in his life had let go |
| of a question, once he had asked it. |
| |
| “It means, ‘which is in danger of speedy disappearance.’ “ |
| |
| “Is my flower in danger of speedy disappearance?” |
| |
| “Certainly it is.” |
| |
| “My flower is ephemeral,” the little prince said to himself, “and she has only four thorns to |
| defend herself against the world. And I have left her on my planet, all alone!” |
| |
| That was his first moment of regret. But he took courage once more. “What place would you |
| advise me to visit now?” he asked. “The planet Earth,” replied the geographer. “It has a good |
| reputation.” And the little prince went away, thinking of his flower. |
| |
| |
| |
| |
| So then the seventh planet was the Earth. |
| |
| The Earth is not just an ordinary planet! |
| |
| One can count, there 111 kings (not forgetting, to be sure, the Negro kings among them), 7000 |
| geographers, 900,000 businessmen, 7,500,000 tipplers, 311,000,000 conceited men, that is to say, |
| about 2,000,000,000 grown-ups. |
| |
| To give you an idea of the size of the Earth, I will tell you that before the invention of electricity it |
| was necessary to maintain, over the whole of the six continents, a veritable army of 462,511 |
| lamplighters for the street lamps. Seen from a slight distance, that would make a splendid |
| spectacle. |
| |
| The movements of this army would be regulated like those of the ballet in the opera. First would |
| come the turn of the lamplighters of New Zealand and Australia. Having set their lamps alight, |
| these would go off to sleep. Next, the lamplighters of China and Siberia would enter for their steps |
| in the dance, and then they too would be waved back into the wings. After that would come the |
| turn of the lamplighters of Russia and the Indies; then those of Africa and Europe, then those of |
| South America; then those of North America. And never would they make a mistake in the order |
| of their entry upon the stage. It would be magnificent. |
| |
| Only the man who was in charge of the single lamp at the North Pole, and his colleague who was |
| responsible for the single lamp at the South Pole, only these two would live free from toil and |
| care: they would be busy twice a year. |
| |
| When one wishes to play the wit, he sometimes wanders a little from the truth. |
| |
| I have not been altogether honest in what I have told you about the lamplighters. And I realise |
| that I run the risk of giving a false idea of our planet to those who do not know it. |
| |
| Men occupy a very small place upon the Earth. If the two billion inhabitants who people its |
| surface were all to stand upright and somewhat crowded together, as they do for some big public |
| assembly, they could easily be put into one public square twenty miles long and twenty miles wide. |
| All humanity could be piled up on a small Pacific islet. |
| |
| The grown-ups, to be sure, will not believe you when you tell them that. They imagine that they fill |
| a great deal of space. They fancy themselves as important as the baobabs. You should advise |
| them, then, to make their own calculations. They adore figures, and that will please them. But do |
| not waste your time on this extra task. It is unnecessary. You have, I know, confidence in me. |
| |
| When the little prince arrived on the Earth, he was very much surprised not to see any people. He |
| was beginning to be afraid he had come to the wrong planet, when a coil of gold, the colour of the |
| moonlight, flashed across the sand. |
| |
| “Good evening,” said the little prince courteously. |
| |
| “Good evening,” said the snake. |
| |
| “What planet is this on which I have come down?” asked the little prince. |
| |
| “This is the Earth; this is Africa,” the snake answered. |
| |
| “Ah! Then there are no people on the Earth?” |
| |
| |
| |
| |
| “This is the desert. There are no people in the desert. The Earth is large,” said the snake. |
| |
| The little prince sat down on a stone, and raised his eyes toward the sky. |
| |
| “I wonder,” he said, “whether the stars are set alight in heaven so that one day each one of us |
| may find his own again... Look at my planet. It is right there above us. But how far away it is!” |
| |
| “It is beautiful,” the snake said. “What has brought you here?” |
| |
| “I have been having some trouble with a flower,” said the little prince. “Ah!” said the snake. And |
| they were both silent. |
| |
| “Where are the men?” the little prince at last took up the conversation again. “It is a little lonely |
| in the desert...” |
| |
| “It is also lonely among men,” the snake said. The little prince gazed at him for a long time. |
| |
| “You are a funny animal,” he said at last. “You are no thicker than a finger...” |
| |
| “But I am more powerful than the finger of a king,” said the snake. |
| |
| The little prince smiled. “You are not very powerful. You haven’t even any feet. You cannot even |
| travel...” |
| |
| “I can carry you farther than any ship could take you,” said the snake. He twined himself around |
| the little prince’s ankle, like a golden bracelet. |
| |
| “Whomever I touch, I send back to the earth from whence he came,” the snake spoke again. “But |
| you are innocent and true, and you come from a star...” |
| |
| The little prince made no reply. “You move me to pity, you are so weak on this Earth made of |
| granite,” the snake said. “I can help you, some day, if you grow too homesick for your own planet. |
| I can...” |
| |
| “Oh! I understand you very well,” said the little prince. “But why do you always speak in |
| riddles?” |
| |
| “I solve them all,” said the snake. And they were both silent. |
| |
| The little prince crossed the desert and met with only one flower. |
| |
| It was a flower with three petals, a flower of no account at all. |
| |
| “Good morning,” said the little prince. |
| |
| “Good morning,” said the flower. |
| |
| “Where are the men?” the little prince asked, politely. The flower had once seen a caravan |
| passing. |
| |
| “Men?” she echoed. “I think there are six or seven of them in existence. I saw them, several |
| years ago. But one never knows where to find them. The wind blows them away. They have no |
| roots, and that makes their life very difficult.” |
| |
| |
| |
| “Goodbye,” said the little prince. |
| |
| |
| |
| |
| “Goodbye,” said the flower. |
| |
| |
| |
| After that, the little prince climbed a high mountain. The only mountains he had ever known were |
| the three volcanoes, which came up to his knees. And he used the extinct volcano as a footstool. |
| |
| “From a mountain as high as this one,” he said to himself, “I shall be able to see the whole planet |
| at one glance, and all the people...” But he saw nothing, save peaks of rock that were sharpened |
| like needles. |
| |
| |
| |
| |
| “Good morning,” he said courteously. |
| |
| “Good morning...Good morning...Good morning,” answered the echo. |
| |
| “Who are you?” said the little prince. |
| |
| “Who are you...Who are you...Who are you?” answered the echo. |
| |
| “Be my friends. I am all alone,” he said. |
| |
| “I am all alone...all alone. ..all alone,” answered the echo. |
| |
| “What a queer planet!” he thought. “It is altogether dry, and altogether pointed, and altogether |
| harsh and forbidding. And the people have no imagination. They repeat whatever one says to |
| them... On my planet I had a flower; she always was the first to speak...” |
| |
| But it happened that after walking for a long time through sand, and rocks, and snow, the little |
| prince at last came upon a road. And all roads lead to the abodes of men. |
| |
| “Good morning,” he said. He was standing before a garden, all a-bloom with roses. |
| |
| “Good morning,” said the roses. |
| |
| The little prince gazed at them. They all looked like his flower. |
| |
| “Who are you?” he demanded, thunderstruck. |
| |
| “We are roses,” the roses said. And he was overcome with sadness. His flower had told him that |
| she was the only one of her kind in all the universe. And here were five thousand of them, all |
| alike, in one single garden! |
| |
| “She would be very much annoyed,” he said to himself, “if she should see that... she would cough |
| |
| |
| |
| most dreadfully, and she would pretend that she was dying, to avoid being laughed at. And I |
| should be obliged to pretend that I was nursing her back to life, for if I did not do that, to humble |
| myself also, she would really allow herself to die...” |
| |
| Then he went on with his reflections: “I thought that I was rich, with a flower that was unique in all |
| the world; and all I had was a common rose. A common rose, and three volcanoes that come up to |
| my knees — and one of them perhaps extinct forever... that doesn’t make me a very great |
| prince...” And he lay down in the grass and cried. |
| |
| It was then that the fox appeared. |
| |
| “Good morning,” said the fox. |
| |
| “Good morning,” the little prince responded politely, although when he turned around he saw |
| nothing. |
| |
| “I am right here,” the voice said, “under the apple tree.” “ |
| |
| Who are you?” asked the little prince, and added, “You are very pretty to look at.” |
| |
| “I am a fox,” said the fox. |
| |
| “Come and play with me,” proposed the little prince. |
| |
| “I am so unhappy.” “I cannot play with you,” the fox said. “I am not tamed.” |
| |
| “Ah! Please excuse me,” said the little prince. But, after some thought, he added: “What does |
| that mean, ‘tame’?” |
| |
| |
| |
| |
| “You do not live here,” said the fox. “What is it that you are looking for?” |
| |
| “I am looking for men,” said the little prince. “What does that mean, ‘tame’?” |
| |
| “Men,” said the fox. “They have guns, and they hunt. It is very disturbing. They also raise |
| chickens. These are their only interests. Are you looking for chickens?” |
| |
| “No,” said the little prince. “I am looking for friends. What does that mean, ‘tame’?” |
| |
| “It is an act too often neglected,” said the fox. It means to establish ties.” |
| |
| |
| |
| “‘To establish ties’?” |
| |
| |
| |
| “Just that,” said the fox. “To me, you are still nothing more than a little boy who is just like a |
| hundred thousand other little boys. And I have no need of you. And you, on your part, have no |
| need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you |
| tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall |
| be unique in all the world...” |
| |
| “I am beginning to understand,” said the little prince. “There is a flower... I think that she has |
| tamed me...” |
| |
| “It is possible,” said the fox. “On the Earth one sees all sorts of things.” |
| |
| “Oh, but this is not on the Earth!” said the little prince. The fox seemed perplexed, and very |
| curious. |
| |
| “On another planet?” |
| |
| “Yes.” |
| |
| “Are there hunters on this planet?” |
| |
| “No.” |
| |
| “Ah, that is interesting! Are there chickens?” |
| |
| “No.” |
| |
| “Nothing is perfect,” sighed the fox. But he came back to his idea. “My life is very monotonous,” |
| the fox said. “I hunt chickens; men hunt me. All the chickens are just alike, and all the men are |
| just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun |
| came to shine on my life. I shall know the sound of a step that will be different from all the others. |
| Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of |
| my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of |
| no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that |
| is the colour of gold. Think how wonderful that will be when you have tamed me! The grain, which |
| is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the |
| wheat...” The fox gazed at the little prince, for a long time. “Please, tame me!” he said. |
| |
| “I want to, very much,” the little prince replied. “But I have not much time. I have friends to |
| discover, and a great many things to understand.” |
| |
| “One only understands the things that one tames,” said the fox. “Men have no more time to |
| understand anything. They buy things all ready-made at the shops. But there is no shop anywhere |
| where one can buy friendship, and so men have no friends any more. If you want a friend, tame |
| me...” |
| |
| “What must I do, to tame you?” asked the little prince. |
| |
| “You must be very patient,” replied the fox. “First you will sit down at a little distance from me, |
| like that, in the grass. I shall look at you out of the corner of my eye, and you will say nothing. |
| Words are the source of misunderstandings. But you will sit a little closer to me, every day...” |
| |
| |
| |
| |
| The next day the little prince came back. |
| |
| |
| |
| “It would have been better to come back at the same hour,” said the fox. “If, for example, you |
| come at four o’clock in the afternoon, then at three o’clock I shall begin to be happy. I shall feel |
| happier and happier as the hour advances. At four o’clock, I shall already be worrying and |
| jumping about. I shall show you how happy I am! But if you come at just any time, I shall never |
| know at what hour my heart is to be ready to greet you... One must observe the proper rites...” |
| |
| “What is a rite?” asked the little prince. |
| |
| “Those also are actions too often neglected,” said the fox. “They are what make one day |
| different from other days, one hour from other hours. There is a rite, for example, among my |
| hunters. Every Thursday they dance with the village girls. So Thursday is a wonderful day for me! |
| I can take a walk as far as the vineyards. But if the hunters danced at just any time, every day |
| would be like every other day, and I should never have any vacation at all.” |
| |
| So the little prince tamed the fox. And when the hour of his departure drew near... |
| |
| “Ah,” said the fox, “I shall cry.” |
| |
| “It is your own fault,” said the little prince. “I never wished you any sort of harm; but you wanted |
| me to tame you...” |
| |
| “Yes, that is so,” said the fox. |
| |
| “But now you are going to cry!” said the little prince. |
| |
| “Yes, that is so,” said the fox. |
| |
| “Then it has done you no good at all!” |
| |
| “It has done me good,” said the fox, “because of the colour of the wheat fields.” And then he |
| added: “Go and look again at the roses. You will understand now that yours is unique in all the |
| world. Then come back to say goodbye to me, and I will make you a present of a secret.” |
| |
| The little prince went away, to look again at the roses. “You are not at all like my rose,” he said. |
| “As yet you are nothing. No one has tamed you, and you have tamed no one. You are like my fox |
| when I first knew him. He was only a fox like a hundred thousand other foxes. But I have made |
| him my friend, and now he is unique in all the world.” And the roses were very much embarrassed. |
| “You are beautiful, but you are empty,” he went on. “One could not die for you. To be sure, an |
| ordinary passer-by would think that my rose looked just like you, the rose that belongs to me. But |
| in herself alone she is more important than all the hundreds of you other roses: because it is she |
| that I have watered; because it is she that I have put under the glass globe; because it is she that |
| I have sheltered behind the screen; because it is for her that I have killed the caterpillars (except |
| the two or three that we saved to become butterflies); because it is she that I have listened to, |
| when she grumbled, or boasted, or even sometimes when she said nothing. Because she is my |
| rose. |
| |
| And he went back to meet the fox. “Goodbye,” he said. |
| |
| “Goodbye,” said the fox. “And now here is my secret, a very simple secret: It is only with the |
| heart that one can see rightly; what is essential is invisible to the eye.” |
| |
| |
| |
| |
| “What is essential is invisible to the eye,” the little prince repeated, so that he would be sure to |
| remember. |
| |
| “It is the time you have wasted for your rose that makes your rose so important.” |
| |
| “It is the time I have wasted for my rose...” said the little prince, so that he would be sure to |
| remember. |
| |
| “Men have forgotten this truth,” said the fox. “But you must not forget it. You become |
| responsible, forever, for what you have tamed. You are responsible for your rose...” |
| |
| “I am responsible for my rose,” the little prince repeated, so that he would be sure to remember. |
| |
| “Good morning,” said the little prince. |
| |
| “Good morning,” said the railway switchman. |
| |
| “What do you do here?” the little prince asked. |
| |
| “I sort out travellers, in bundles of a thousand,” said the switchman. “I send off the trains that |
| carry them; now to the right, now to the left.” And a brilliantly lighted express train shook the |
| switchman’s cabin as it rushed by with a roar like thunder. |
| |
| “They are in a great hurry,” said the little prince. “What are they looking for?” |
| |
| “Not even the locomotive engineer knows that,” said the switchman. And a second brilliantly |
| lighted express thundered by, in the opposite direction. |
| |
| “Are they coming back already?” demanded the little prince. “These are not the same ones,” said |
| the switchman. “It is an exchange.” |
| |
| “Were they not satisfied where they were?” asked the little prince. |
| |
| “No one is ever satisfied where he is,” said the switchman. And they heard the roaring thunder of |
| a third brilliantly lighted express. |
| |
| “Are they pursuing the first travellers?” demanded the little prince. |
| |
| “They are pursuing nothing at all,” said the switchman. “They are asleep in there, or if they are |
| not asleep they are yawning. Only the children are flattening their noses against the |
| windowpanes.” |
| |
| “Only the children know what they are looking for,” said the little prince. |
| |
| “They waste their time over a rag doll and it becomes very important to them; and if anybody |
| takes it away from them, they cry...” “They are lucky,” the switchman said. |
| |
| “Good morning,” said the little prince. |
| |
| “Good morning,” said the merchant. |
| |
| This was a merchant who sold pills that had been invented to quench thirst. You need only swallow |
| one pill a week, and you would feel no need of anything to drink. |
| |
| |
| |
| |
| “Why are you selling those?” asked the little prince. |
| |
| |
| |
| “Because they save a tremendous amount of time,” said the merchant. “Computations have been |
| made by experts. With these pills, you save fifty-three minutes in every week.” |
| |
| “And what do I do with those fifty-three minutes?” |
| |
| “Anything you like...” |
| |
| “As for me,” said the little prince to himself, “if I had fifty-three minutes to spend as I liked, I |
| should walk at my leisure toward a spring of fresh water.” |
| |
| It was now the eighth day since I had had my accident in the desert, and I had listened to the story |
| of the merchant as I was drinking the last drop of my water supply. |
| |
| “Ah,” I said to the little prince, “these memories of yours are very charming; but I have not yet |
| succeeded in repairing my plane; I have nothing more to drink; and I, too, should be very happy if |
| I could walk at my leisure toward a spring of fresh water!” |
| |
| “My friend the fox...” the little prince said to me. |
| |
| “My dear little man, this is no longer a matter that has anything to do with the fox!” |
| |
| “Why not?” |
| |
| “Because I am about to die of thirst...” |
| |
| He did not follow my reasoning, and he answered me: “It is a good thing to have had a friend, |
| even if one is about to die. I, for instance, am very glad to have had a fox as a friend...” |
| |
| “He has no way of guessing the danger,” I said to myself. “He has never been either hungry or |
| thirsty. A little sunshine is all he needs...” |
| |
| But he looked at me steadily, and replied to my thought: “I am thirsty, too. Let us look for a |
| well...” I made a gesture of weariness. It is absurd to look for a well, at random, in the immensity |
| of the desert. But nevertheless we started walking. |
| |
| When we had trudged along for several hours, in silence, the darkness fell, and the stars began to |
| come out. Thirst had made me a little feverish, and I looked at them as if I were in a dream. The |
| little prince’s last words came reeling back into my memory: “Then you are thirsty, too?” I |
| demanded. But he did not reply to my question. He merely said to me: “Water may also be good |
| for the heart...” |
| |
| I did not understand this answer, but I said nothing. I knew very well that it was impossible to |
| cross-examine him. He was tired. He sat down. I sat down beside him. And, after a little silence, |
| he spoke again: “The stars are beautiful, because of a flower that cannot be seen.” |
| |
| I replied, “Yes, that is so.” And, without saying anything more, I looked across the ridges of sand |
| that were stretched out before us in the moonlight. |
| |
| “The desert is beautiful,” the little prince added. |
| |
| And that was true. I have always loved the desert. One sits down on a desert sand dune, sees |
| |
| |
| |
| |
| |
| nothing, hears nothing. Yet through the silence something throbs, and gleams... |
| |
| “What makes the desert beautiful,” said the little prince, “is that somewhere it hides a well...” |
| |
| I was astonished by a sudden understanding of that mysterious radiation of the sands. When I was |
| a little boy I lived in an old house, and legend told us that a treasure was buried there. To be sure, |
| no one had ever known how to find it; perhaps no one had ever even looked for it. But it cast an |
| enchantment over that house. My home was hiding a secret in the depths of its heart... “Yes,” I |
| said to the little prince. “The house, the stars, the desert — what gives them their beauty is |
| something that is invisible!” |
| |
| “I am glad,” he said, “that you agree with my fox.” As the little prince dropped off to sleep, I took |
| him in my arms and set out walking once more. I felt deeply moved, and stirred. It seemed to me |
| that I was carrying a very fragile treasure. It seemed to me, even, that there was nothing more |
| fragile on all Earth. In the moonlight I looked at his pale forehead, his closed eyes, his locks of |
| hair that trembled in the wind, and I said to myself: |
| |
| “What I see here is nothing but a shell. What is most important is invisible...” |
| |
| As his lips opened slightly with the suspicious of a half-smile, I said to myself, again: “What |
| moves me so deeply, about this little prince who is sleeping here, is his loyalty to a flower — the |
| image of a rose that shines through his whole being like the flame of a lamp, even when he is |
| asleep...” |
| |
| And I felt him to be more fragile still. I felt the need of protecting him, as if he himself were a |
| flame that might be extinguished by a little puff of wind... And, as I walked on so, I found the well, |
| at daybreak. |
| |
| “Men,” said the little prince, “set out on their way in express trains, but they do not know what |
| they are looking for. Then they rush about, and get excited, and turn round and round...” And he |
| added: “It is not worth the trouble...” |
| |
| |
| |
| The well that we had come to was not like the wells of the Sahara. The wells of the Sahara are |
| mere holes dug in the sand. This one was like a well in a village. But there was no village here, |
| and I thought I must be dreaming... |
| |
| “It is strange,” I said to the little prince. “Everything is ready for use: the pulley, the bucket, the |
| rope...” He laughed, touched the rope, and set the pulley to working. And the pulley moaned, like |
| an old weathervane, which the wind has long since forgotten. |
| |
| “Do you hear?” said the little prince. “We have wakened the well, and it is singing...” |
| |
| I did not want him to tire himself with the rope. |
| |
| “Leave it to me,” I said. “It is too heavy for you.” I hoisted the bucket slowly to the edge of the |
| well and set it there, happy, tired as I was, over my achievement. The song of the pulley was still |
| in my ears, and I could see the sunlight shimmer in the still trembling water. |
| |
| “I am thirsty for this water,” said the little prince. “Give me some of it to drink...” |
| |
| And I understood what he had been looking for. I raised the bucket to his lips. He drank, his eyes |
| closed. It was as sweet as some special festival treat. This water was indeed a different thing from |
| ordinary nourishment. Its sweetness was born of the walk under the stars, the song of the pulley, |
| the effort of my arms. It was good for the heart, like a present. When I was a little boy, the lights |
| of the Christmas tree, the music of the Midnight Mass, the tenderness of smiling faces, used to |
| make up, so, the radiance of the gifts I received. |
| |
| “The men where you live,” said the little prince, “raise five thousand roses in the same garden |
| and they do not find in it what they are looking for.” |
| |
| “They do not find it,” I replied. |
| |
| “And yet what they are looking for could be found in one single rose, or in a little water.” |
| |
| “Yes, that is true,” I said. |
| |
| And the little prince added: “But the eyes are blind. One must look with the heart...” |
| |
| I had drunk the water. I breathed easily. At sunrise the sand is the colour of honey. And that |
| honey colour was making me happy, too. What brought me, then, this sense of grief? |
| |
| “You must keep your promise,” said the little prince, softly, as he sat down beside me once more. |
| “What promise?” “You know, a muzzle for my sheep... I am responsible for this flower...” |
| |
| I took my rough drafts of drawings out of my pocket. The little prince looked them over, and |
| laughed as he said: |
| |
| “Your baobabs, they look a little like cabbages.” |
| |
| “Oh!” I had been so proud of my baobabs! “Your fox, his ears look a little like horns; and they are |
| too long.” And he laughed again. |
| |
| “You are not fair, little prince,” I said. “I don’t know how to draw anything except boa constrictors |
| from the outside and boa constrictors from the inside.” |
| |
| |
| |
| |
| |
| “Oh, that will be all right,” he said, “children understand.” |
| |
| So then I made a pencil sketch of a muzzle. And as I gave it to him my heart was torn. |
| |
| “You have plans that I do not know about,” I said. But he did not answer me. He said to me, |
| instead: “You know, my descent to the earth... Tomorrow will be its anniversary.” Then, after a |
| silence, he went on: “I came down very near here.” And he flushed. |
| |
| And once again, without understanding why, I had a queer sense of sorrow. One question, |
| however, occurred to me: “Then it was not by chance that on the morning when I first met you — a |
| week ago — you were strolling along like that, all alone, a thousand miles from any inhabited |
| region? You were on the your way back to the place where you landed?” |
| |
| The little prince flushed again. And I added, with some hesitancy: “Perhaps it was because of the |
| anniversary?” The little prince flushed once more. He never answered questions, but when one |
| flushes does that not mean “Yes”? |
| |
| “Ah,” I said to him, “I am a little frightened...” |
| |
| But he interrupted me. “Now you must work. You must return to your engine. I will be waiting for |
| you here. Come back tomorrow evening...” |
| |
| But I was not reassured. I remembered the fox. One runs the risk of weeping a little, if one lets |
| himself be tamed... |
| |
| Beside the well there was the ruin of an old stone wall. When I came back from my work, the next |
| evening, I saw from some distance away my little prince sitting on top of a wall, with his feet |
| dangling. And I heard him say: “Then you don’t remember. This is not the exact spot.” Another |
| voice must have answered him, for he replied to it: “Yes, yes! It is the right day, but this is not the |
| place.” |
| |
| I continued my walk toward the wall. At no time did I see or hear anyone. The little prince, |
| however, replied once again: “...Exactly. You will see where my track begins, in the sand. You have |
| nothing to do but wait for me there. I shall be there tonight.” |
| |
| |
| |
| I was only twenty metres from the wall, and I still saw nothing. After a silence the little prince |
| spoke again: “You have good poison? You are sure that it will not make me suffer too long?” I |
| stopped in my tracks, my heart torn asunder; but still I did not understand. “Now go away,” said |
| the little prince. “I want to get down from the wall.” |
| |
| I dropped my eyes, then, to the foot of the wall... and I leaped into the air. There before me, facing |
| the little prince, was one of those yellow snakes that take just thirty seconds to bring your life to |
| an end. Even as I was digging into my pocked to get out my revolver I made a running step back. |
| But, at the noise I made, the snake let himself flow easily across the sand like the dying spray of |
| a fountain, and, in no apparent hurry, disappeared, with a light metallic sound, among the stones. I |
| reached the wall just in time to catch my little man in my arms; his face was white as snow. |
| |
| “What does this mean?” I demanded. “Why are you talking with snakes?” |
| |
| I had loosened the golden muffler that he always wore. I had moistened his temples, and had |
| given him some water to drink. And now I did not dare ask him any more questions. He looked at |
| me very gravely, and put his arms around my neck. I felt his heart beating like the heart of a |
| dying bird, shot with someone’s rifle... |
| |
| “I am glad that you have found what was the matter with your engine,” he said. “Now you can go |
| back home” |
| |
| “How do you know about that?” I was just coming to tell him that my work had been successful, |
| beyond anything that I had dared to hope. |
| |
| He made no answer to my question, but he added: “I, too, am going back home today...” Then, |
| sadly, “It is much farther... it is much more difficult...” I realised clearly that something |
| extraordinary was happening. I was holding him close in my arms as if he were a little child; and |
| yet it seemed to me that he was rushing headlong toward an abyss from which I could do nothing |
| to restrain him... His look was very serious, like some one lost far away. |
| |
| “I have your sheep. And I have the sheep’s box. And I have the muzzle...” |
| |
| And he gave me a sad smile. I waited a long time. I could see that he was reviving little by little. |
| |
| “Dear little man,” I said to him, “you are afraid...” He was afraid, there was no doubt about that. |
| But he laughed lightly. |
| |
| “I shall be much more afraid this evening...” |
| |
| Once again I felt myself frozen by the sense of something irreparable. And I knew that I could not |
| bear the thought of never hearing that laughter any more. For me, it was like a spring of fresh |
| water in the desert. |
| |
| “Little man,” I said, “I want to hear you laugh again.” But he said to me: “Tonight, it will be a |
| year... my star, then, can be found right above the place where I came to the Earth, a year ago...” |
| |
| “Little man,” I said, “tell me that it is only a bad dream, this affair of the snake, and the meeting- |
| place, and the star...” But he did not answer my plea. |
| |
| He said to me, instead: “The thing that is important is the thing that is not seen...” “Yes, I |
| know...” |
| |
| |
| |
| |
| “It is just as it is with the flower. If you love a flower that lives on a star, it is sweet to look at the |
| sky at night. All the stars are a-bloom with flowers...” |
| |
| “Yes, I know...” |
| |
| “It is just as it is with the water. Because of the pulley, and the rope, what you gave me to drink |
| was like music. You remember, how good it was.” |
| |
| “Yes, I know...” |
| |
| “And at night you will look up at the stars. Where I live everything is so small that I cannot show |
| you where my star is to be found. It is better, like that. My star will just be one of the stars, for |
| you. And so you will love to watch all the stars in the heavens... they will all be your friends. And, |
| besides, I am going to make you a present...” He laughed again. |
| |
| “Ah, little prince, dear little prince! I love to hear that laughter!” |
| |
| “That is my present. Just that. It will be as it was when we drank the water...” |
| |
| “What are you trying to say?” |
| |
| “All men have the stars,” he answered, “but they are not the same things for different people. For |
| some, who are travellers, the stars are guides. For others they are no more than little lights in the |
| sky. For others, who are scholars, they are problems. For my businessman they were wealth. But |
| all these stars are silent. You, you alone, will have the stars as no one else has them” |
| |
| “What are you trying to say?” |
| |
| “In one of the stars I shall be living. In one of them I shall be laughing. And so it will be as if all |
| the stars were laughing, when you look at the sky at night... you, only you, will have stars that can |
| laugh!” |
| |
| And he laughed again. “And when your sorrow is comforted (time soothes all sorrows) you will be |
| content that you have known me. You will always be my friend. You will want to laugh with me. And |
| you will sometimes open your window, so, for that pleasure... and your friends will be properly |
| astonished to see you laughing as you look up at the sky! Then you will say to them, ‘Yes, the |
| stars always make me laugh!’ And they will think you are crazy. It will be a very shabby trick that |
| I shall have played on you...” |
| |
| And he laughed again. “It will be as if, in place of the stars, I had given you a great number of |
| little bells that knew how to laugh...” |
| |
| And he laughed again. Then he quickly became serious: “Tonight, you know... do not come,” said |
| the little prince. |
| |
| “I shall not leave you,” I said. |
| |
| “I shall look as if I were suffering. I shall look a little as if I were dying. It is like that. Do not |
| come to see that. It is not worth the trouble...” |
| |
| “I shall not leave you.” |
| |
| |
| |
| But he was worried. “I tell you, it is also because of the snake. He must not bite you. Snakes, they |
| |
| |
| |
| |
| are malicious creatures. This one might bite you just for fun...” |
| |
| |
| |
| “I shall not leave you.” |
| |
| But a thought came to reassure him: “It is true that they have no more poison for a second bite.” |
| |
| That night I did not see him set out on his way. He got away from me without making a sound. |
| When I succeeded in catching up with him he was walking along with a quick and resolute step. He |
| said to me merely: “Ah! You are there...” And he took me by the hand. But he was still worrying. |
| “It was wrong of you to come. You will suffer. I shall look as if I were dead; and that will not be |
| true...” |
| |
| I said nothing. |
| |
| “You understand... it is too far. I cannot carry this body with me. It is too heavy.” |
| |
| I said nothing. |
| |
| “But it will be like an old abandoned shell. There is nothing sad about old shells...” |
| |
| I said nothing. He was a little discouraged. But he made one more effort: “You know, it will be |
| very nice. I, too, shall look at the stars. All the stars will be wells with a rusty pulley. All the stars |
| will pour out fresh water for me to drink...” |
| |
| I said nothing. |
| |
| “That will be so amusing! You will have five hundred million little bells, and I shall have five |
| hundred million springs of fresh water...” And he too said nothing more, because he was crying... |
| |
| “Here it is. Let me go on by myself.” And he sat down, because he was afraid. Then he said, |
| again: “You know, my flower... I am responsible for her. And she is so weak! She has four thorns, |
| of no use at all, to protect herself against all the world...” |
| |
| I too sat down, because I was not able to stand up any longer. “There now, that is all...” |
| |
| He still hesitated a little; then he got up. He took one step. I could not move. There was nothing |
| but a flash of yellow close to his ankle. He remained motionless for an instant. He did not cry out. |
| He fell as gently as a tree falls. There was not even any sound, because of the sand. |
| |
| And now six years have already gone by... I have never yet told this story. |
| |
| The companions who met me on my return were well content to see me alive. I was sad, but I told |
| them: “I am tired.” Now my sorrow is comforted a little. That is to say, not entirely. But I know |
| that he did go back to his planet, because I did not find his body at daybreak. It was not such a |
| heavy body... and at night I love to listen to the stars. It is like five hundred million little bells... |
| But there is one extraordinary thing... when I drew the muzzle for the little prince, I forgot to add |
| the leather strap to it. He will never have been able to fasten it on his sheep. |
| |
| So now I keep wondering: what is happening on his planet? Perhaps the sheep has eaten the |
| flower... At one time I say to myself: “Surely not! The little prince shuts his flower under her glass |
| globe every night, and he watches over his sheep very carefully...” Then I am happy. And there is |
| sweetness in the laughter of all the stars. |
| |
| |
| |
| |
| But at another time I say to myself: “At some moment or other one is absent-minded, and that is |
| enough! On some one evening he forgot the glass globe, or the sheep got out, without making any |
| noise, in the night...” And then the little bells are changed to tears... Here, then, is a great |
| mystery. |
| |
| For you who also love the little prince, and for me, nothing in the universe can be the same if |
| somewhere, we do not know where, a sheep that we never saw has eaten a rose... Look up at the |
| sky. Ask yourselves: is it yes or no? |
| |
| Has the sheep eaten the flower? And you will see how everything changes... And no grown-up will |
| ever understand that this is a matter of so much importance! This is, to me, the loveliest and |
| saddest landscape in the world. It is the same as that on the preceding page, but I have drawn it |
| again to impress it on your memory. It is here that the little prince appeared on Earth, and |
| disappeared. Look at it carefully so that you will be sure to recognise it in case you travel some |
| day to the African desert. And, if you should come upon this spot, please do not hurry on. Wait for |
| a time, exactly under the star. Then, if a little man appears who laughs, who has golden hair and |
| who refuses to answer questions, you will know who he is. If this should happen, please comfort |
| me. Send me word that he has come back. |
| |
| |
| |
| END |